Harbinger Consultants

Culture + Complexity + Change

Archive for project

OPEN | Beautiful One Day, Fruit Salad the Next

As curator of the Flying Arts exhibition, Beautiful One Day, Fruit Salad the Next!, John gave a speech at the opening, which was very well attended. The exhibition continues at the Judith Wright Centre in Fortitude Valley until 15 December. Great to see such positive support for Queensland based artists. John’s speech is below.

john and lyn ahmat

John with exhibiting artist Lyn Ahmat during the hang.

Good evening all and welcome.

I acknowledge the traditional custodians of this land and pay my respects to the Aboriginal and Torres Strait Islander elders, and also the elders from other cultures, who share their wisdoms with us in such a generous way.

And I acknowledge and thank our artists who are generously sharing their creative works with us and allowing us, as viewers, to experience the world a little differently.

Each of these artists attended a Flying Arts workshop earlier this year. I facilitated this workshop on Exhibition Development and it quickly became apparent that this group of artists were not only a very nice bunch of quite different people but shared some similarities of approach to their creative activities. During the workshop this phenomenon of similar yet different was described as ‘like a fruit salad’ and it was suggested that it’d be a great idea to have a group show in the future. We thought, yep, good idea – might be possible in a couple of years or so! But, the opportunity for a show arose faster than any of us expected and this exhibition has been exactly six weeks in development – pretty good work by all of us I reckon!

I curated this show in a way I hadn’t done before – it was a bit of a risk but – it worked! As part of the workshop each artist developed a 250 word artist statement so I asked them each to send those to me and I crunched those together as three wordclouds and it became very apparent that there were some distinct thematics emerging – words like: relationships, materials, nature, people, conversation, life, human and world loomed large. I then sent these wordclouds to the artists and asked them to send me 3 images of works that they thought reflected some of the keywords. From these I selected the works for the show – it was a jointly created curatorial premise like no other!

To give some context to the show and to the creativity of these artists I’d like you to consider a room – not this room but a room without any lights. Now this room contains an elephant. Five people spend some time in this room – in the dark. The five people are; a plumber, a sailor, a plasterer, a stonemason and a philosopher.

None of these five people have ever encountered an elephant before and each one of them gropes about in the dark until they touch an elephant bit.

When they have left the dark room they are asked of their experience – what did they think was within this particular room?

The Plumber was amazed at the extreme flexibility of the piping he had found. He’d felt the elephant’s trunk.

The Sailor was quite impressed with the incredibly strong sailcloth she’d discovered. She’d felt the elephant’s ear.

The Plasterer was pleased that someone had made such lovely textured wall surfaces. He’d felt the elephant’s side.

However the Stonemason was not very enthusiastic about the lumpy and irregular column he had investigated. He had felt one of the elephant’s legs.

And the Philosopher, well the Philosopher complained that no matter how hard she had pulled the cord the lights just would not go on. She had been tugging the elephant’s tail.

Each of these people had brought their own cultural experience and expectation to the elephant – and therefore each had encountered something quite different and unique to themselves.

I suggest that we all construct our own world view from the material of our own histories and sometimes this world view may have little to do with reality yet a lot to do with imagination.

The artworks created by these artists show us some different imagined realities and I thank all of them for allowing us to enjoy the way they remake the ordinary into the extraordinary.

Picasso said, “everything you can imagine is real” and another great artist Groucho Marx said, “Well, art is art, isn’t it? Still, on the other hand, water is water! And east is east and west is west and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does.” Somewhere in there is an important concept I’m sure!

Seeing and hearing a story is one of the ways that creativity adds to the understanding of our own culture and the culture of others – when we listen and see good things and bad things, funny things and sad things, we start to think and feel outside of our own experiences – we become better able to make some sense of the confusion that sometimes seems to surround the environment we all live in. The sharing of an artist’s work is an act of generosity and should be the starting point for a conversation – art is a catalyst for interaction and the pondering of imponderables.

So, thank you to all the artists – Anthony, Beverley, Bronwyn, Cathy, Chrys, Deborah, Fiona and Donna Maree and Tracey and Mulum, Hazel, Janet, Jennifer, Karen, Kate, Lyn, Mandy, Nicola, Sally, Simone, and Todd – your stories are unique, and this show is an important milestone in your creative careers, and it has been a joy to work with you all.

 

fruit salad group

John with the Fruit Salad and Flying Arts team

 

These artists now invite you to have a conversation, firstly with their remarkable creative works and then, with them as artists with so much to say and so much to offer to enrich our cultural life here in Queensland. Please take time to talk with the artists – they are all deeply immersed in their creative practice and each of them is, in various ways, demonstrating what the surrealist artist Rene Magritte articulated when he said, “Art evokes the mystery without which the world would not exist.”

Enjoy the work, most of it is for sale so why not buy some and not only support these artists but also enliven and enhance your own environment. And please be aware that just inside the gallery is Sally Jones’ sculpture of Saint Hubert and, quite remarkably, today is the feast day of Saint Hubert, the patron saint of hunters, mathematicians, opticians, and metalworkers, and now, of fruit saladers as well!!

Thank you.

2016 | Season’s Greetings

2016 has been a rewarding year with Harbinger focused on major projects and partnerships that aim to positively shape community opportunities and futures. We thank our partners, collaborators and clients for the opportunity to work with them throughout the year. We extend our warmest wishes for a happy and peaceful Festive Season and radiantly refreshing new year.

native-wreath

Our year in review …

Harbinger’s John Armstrong collaborated with Plan C on several projects including place activation with the emerging community at Flagstone in south east Queensland, and stakeholder engagement for strategic economic development and transition in Georgetown for Etheridge Shire Council in north Queensland.

John again played several mentoring roles including mentoring an arts organisation for Arts Queensland, continuing an advisory role with Liworaji Aboriginal Corporation, and mentoring an undergraduate Creative Industries student as part of QUT’s mentoring program. He also mentored that student as artistic program director of the DIY Festival. Arts Queensland also appointed John as a Peer Assessor.

Work was also undertaken for The Shaftesbury Centre towards developing a campus for an Indigenous training facility in south east Queensland.

John was also involved in the development of a concept for a War Memorial dedicated to Aboriginal and Torres Strait Islander Servicemen and Servicewomen and planned for Anzac Square, Brisbane. The concept was presented for public view earlier in the year at the Museum of Brisbane. Together with artists Laurie Nilsen, Archie Moore and Rosie Barcus, the concept sought to represent and depict diverse aspects of Queensland’s Aboriginal and Torres Strait Islander histories, cultures and experiences of service.

Community involvements with Art from the Margins continued through John’s board membership and judging for the AFTM Emerging Artists Award and Exhibition. He is mentoring the award winning artists in preparation for a group exhibition at Graydon Gallery in New Farm next year. John also participated in a KPMG event for National Day of Disability to raise awareness of disability and the arts. John was also acknowledged with an award from the Islamic Women’s Association of Queensland (IWAQ) as part of the organisation’s 25th anniversary celebrations. John was acknowledged for his contribution to community services.

John is working with social enterprise, change maker and innovator Human (Human Ventures) to undertake strategic planning for a new initiative about health and nutrition in Indigenous communities. In this initial phase, John has been working on the project strategy and developing a plan for the project to be rolled out in the new year.

Linda Carroli’s PhD on system innovation, infrastructure planning and sustainable transitions is progressing with the major milestone of confirmation successfully completed in May. Research on this project is now well underway and involves examination of regional planning and policy to ascertain policy learning processes. She presented her research in progress at the Pathways to a Sustainable Economy conference at Griffith University in November. The paper will be published in a book of proceedings.

The higher degree research context has also provided several research and academic opportunities including preparation of a literature review examining the relationship between social sustainability and seniors living and a research role for a teaching and learning project titled “Understanding changing self-perceptions of professional identity and employability among undergraduate students: a planning perspective”.

Linda completed and published the co-edited second volume of ISUF2013 Conference Papers, with 14 papers by scholars from around the world examining urban morphology and urban form. Linda also attended the International Symposium of Next Generation Infrastructure 2016 held in Wollongong, hosted on 1-2 September 2016 by the SMART Infrastructure Facility.

The new year will see publication of two co-authored book chapters including a paper about cycling, planning and Indian cities for a book on sustainable development in Asia, and a reflection on the participatory process of the Long Time, No See? project for a book examining ‘undesign’. The Journal of Public Space was launched this year and Linda is a member of the Editorial Board.

Linda continued in her roles with QUT as Sessional Academic Success Advisor (SAS Advisor) for the School of Design, and sessional academic in the School of Design and School of Civil Engineering and Built Environment. As a SAS advisor, she is developing research about the experience of sessional design academics in online teaching, and maintaining a social media community.

Linda was appointed to the Dementia Friendly Communities (DFC) Consumer Advisory Group as part of an Alzheimer’s Australia project. The project will result in a community driven collaborative approach to reducing stigma and social isolation associated with dementia through support for dementia-friendly communities. The purpose of the DFC Consumer Advisory Group is to provide input and advice on the development of the National Dementia Friends Program and the National Community Resource Hub.

There is more going on – always more – such as completion of a voluntary project involving the collaborative crafting of tactile activity mats and wall hangings for a hospital dementia unit, with contributions from several local artists, makers and crafters.

Finally, John was nominated for a Lilley Australia Day Award and will receive his award in a community ceremony to be held in January. The award acknowledges John’s commitment and contribution to the local community. Congratulations John!!

In reflecting on our year’s work, we are seeing an increasing focus on community, collaboration and connection for social change, intercultural exchange and sustainability. This work involves innovative, complex, creative and collaborative problem solving that addresses learning, reflection and decision-making through highly evolved consultation and facilitation methods.

PROJECTS | Growing our work

John’s project work has been growing over the last few weeks. He has been progressing the work with Plan C on the South West Moree Precinct Social Plan. The next phase is an intensive workshop, this week, addressing the revitalisation of the area using a collective impact approach with agencies and community working together to create positive pathways forward.

John has also delivered a broad ranging lecture about his work with Aboriginal and Torres Strait Islander communities to Griffith University students on the Gold Coast and South Bank campuses. The lecture was well received by the students.

Arts Queensland has re-engaged John as an industry mentor with a number of arts organisations to assist in the ongoing strategy for sustainable funding. He is continuing his work with Liworaji in Ipswich as they navigate the complexities of Federal government funding to ensure their vital and much needed work with the community can recommence after a recent funding denial.

A new and exciting opportunity has recently arisen and John is assisting with the planning of a major long term health and culture project in a remote Northern Territory community.

VOTE | Long Time, No See? submission the Walk21 Walking Visionaries Awards

Public online voting has started to award the first half of the Walking Visionary prizes. You can vote for Long Time, No See? in the Walk21 Walking Visionaries Awards. Vote here:
http://walk21vienna.com/?dg_voting_submission=long-time-no-see

Long Time, No See? was submitted to the Walking and the Arts category and is one of a total of 208 submissions that building an inspiring collection of diverse approaches that show how walking can help to create livable communities.

You can directly vote for Long Time, No See? via the project submission page using the “Vote Now” button on the page. To vote you are required to submit a valid email address and later confirm that vote in a confirmation email sent to the email submitted for the voting. You can refer to the Voting Rules for a detailed description for how to vote.
http://walk21vienna.com/visionaries/voting-rules/

Please spread the word on social media

You can also spread the word about the project and the voting by posting the following to your social media feed:

Please vote for the Long Time, No See? project in the Walk21 Walking Visionaries Awards. https://lnkd.in/bR9qpnn #WalkVision

Public Online Voting

Project supporters can directly vote for the Long Time, No See? project via the project submission page using the “Vote Now” button on the page. To vote for a project it is required to submit a valid email address and later confirm that vote in a confirmation email sent to the email submitted for the voting.

You can refer to the Voting Rules for a detailed description for how to vote.
http://walk21vienna.com/visionaries/voting-rules/

Voting Periods

It is possible to submit one vote per valid email address per week and project until 16 June. So each Monday you can use your email contact again to support Long Time, No See? with a vote. It is also possible to vote for multiple submissions with one email address.
http://walk21vienna.com/?dg_voting_submission=long-time-no-see

ENGAGE | Building relationships

February already and our year is starting with some great relationship driven projects.

Mentoring

John is mentoring two cultural organisations under the Australia Council’s six year funding program. The mentoring relationship was brokered by Arts Queensland and John will mentor these small to medium organisations in developing their expressions of interest for operational funding.

John is also mentoring seven artists in the Art from the Margins Emerging Artists program. As mentor, John will meet with the artists and provide professional feedback and discussions on developing and selecting works to display, guidance on presentation, pricing of works, working in the commercial world of art and further creative development.

Impact

Work is also continuing on a major initiative that will commercialise traditional bush medicines. John is working on business case development, governance and financing. The project is ambitious and has an aspirational social purpose tied to positive impacts for Aboriginal people and communities. With impact investing attracting more interest among financial, community and government groups, this new enterprise is well placed to deliver significant social returns and impact.

Our other initatives strategic planning for a sports and recreational organisation. The strategic planning process is working with the Theory of Change approach. A member survey has been conducted and feedback will inform further development of the planning and policy review.

Academic

Linda is also working as a sessional academic with the School of Design and editing the second volume of the International Symposium on Urban Form (ISUF) 2013 Conference Papers. The first volume is available online.

Learning

It’s also a year for learning. Linda will be commencing her PhD soon at QUT having received a scholarship; her research will focus on infrastructure, governance, sustainable transition and innovation in the regional planning and development context. We’re also participating in a massive online open course (MOOC), U.Lab: Transforming Business, Society, and Self. The course is led by Otto Scharmer from MIT and The Presencing Institute. The course introduces participants to Theory U and is about leading profound innovation for pioneering a more sustainable economy and society. It focuses on the intertwined relationship of the following three questions:

  • Transformation of Capitalism: How can capitalism and society evolve from its current forms to an emerging future form that creates well-being for all?
  • Multi-stakeholder innovation: What leadership does it take to create profound innovation at the scale of the whole eco-system of stakeholders and partners?
  • Presencing: How can people access their authentic self – their highest future possibility – and “act from” that heightened state of awareness in the now?

We are now in week four of the five week course, which is grounded in an ethos of ‘learning by doing’. As part of the process, we have established a Brisbane U.Lab Hub which meets weekly as a study group. We are also participating in weekly coaching circles, through which we are learning and practicing a powerful approach to exploring leadership and change. We’re very grateful for these opportunities as they are greatly enhancing our practice and growing our community.

Milestone

In case you missed it, one of Linda’s major achievements last year was the completion of her cultural writing project, Fieldworking. The project was funded by the Australia Council’s Visual Arts program. Fieldworking sought to topologically and topographically examine public art and cultural space. The intention was to focus on relational and connective spatial processes and practices. In designing the approach for the project, Linda sought to write topologically, linking the writing and walking process through a reflexive approach to field work. This involved several elements: undertaking walks in various localities, taking panoramic photographs at points along the way, and integrating ‘writing as research’ which required writing in a reflexive and careful way in the experience. The project weaves through the writings of Tim Ingold, Francesco Careri, Yann Calberac and other theorists to explore the flows of walking, space and topology.

Fieldworking is comprised of two major essays and is available online as a draft. The first is an exploration of a walking trail along a waterway in suburban Brisbane and the second is an exploration of SCAPE7 Public Art Biennial Christchurch in the post-earthquake context.  The texts will be published as an ebook after they have been thoroughly edited.

Be in touch

We hope these projects and initiatives are pointing to a transformative and creative year, working closely with people and communities to actualise new and challenging ideas. Please be in touch if you think we can be of assistance to you.